Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Friday, March 15, 2013

She loves you, She loves you not: Writing Romances



When an editor started editing Anything but Normal she didn't like Boyd my hero because he allowed Krystal to get into trouble and didn't save her like a strapping hero would. After Janette's romance writing class I'm making my hero much more Knight-In-Shining-Armor. Hope it helps the reader fall in love with Boyd. 

I'm sharing my notes in hopes it helps you too. 

She loves you, She loves you not: Writing Romances Editors want to buy – by Janette Rallison -

Romantic Heroes qualities need to be- Powerful in some way, Rich, Titled, and have a successful job.

We want to read heroes who are clever, street smart, resourceful, tough, and protective of the heroine.

We love the witty banter.

Heroes need to be faithful and loyal.

Love triangles really only work one way.

He’s also good even when he’s a bad boy.

Don’t make them too bad. You don’t want a hero who is a total rake and a player. They can change for the heroine.

Romance has grit, wit, and hot.

#1 rule – It is not enough for heroine to fall in love. The reader has to fall in love too.

A heroine is:
-          Fairly young
-          She doesn't know she’s beautiful
-          Likable and strong
-          MC is a woman (POV can change)
-          She isn't weak
-          She isn't perfect
-          She is well developed

6 elements every story needs:

  1.      . A likable character
  2.         Who has a problem
  3.         Which leads to a goal
  4.         The character encounters obstacles
  5.         There is an antagonist
  6.         There is a consequence of failure if the MC doesn't get the goal. 


The character needs to grow. Romance is character driven more than plot. If hero and heroine don’t have to change, what’s keeping them apart?

Writing exercise:  

 Write 10 good qualities about your MC.

 What are her fears?

Main Plot-line can’t be that the heroine’s goal is to fall in love.

Rules of thumb-

-          Must be worthy goal that the heroine wants to accomplish
-          Best goals are important and urgent
-          If goal can be postponed until next year than it isn't good enough
-          All MC should have goals
-          Goals can change
-          They don’t have to be achieved always
-          Be specific

Strong obstacles/ conflict

Conflict is not arguing. Conflict that can be cleared up with a 2 min conversation is not good enough.
Don’t throw unrelated conflict at MC.
Make sure the consequences of failure are big.

10 mistakes to avoid:
  1. Physical attraction is not the only reason why they are in love.
  2. Weak conflict (a snippy rude heroine overcomes and falls in love.)
  3. Unlikable characters – example: a Jerk or a vixen
  4. Not enough character development
  5. Starting slow
  6. Bringing characters together to soon.  For romance we need tension, something has to keep the    hero and heroine apart.
  7. Bad boy is too bad
  8. Weak, stupid, or poorly motivated heroine. Your readers shouldn't ever say, “I’d never do that.”
  9. Not knowing sub-genre and all the rules and cliches
  10. Writing like it’s 80’s or 90’s

    Here are some of my favorite romances.  Please share with me some of your favorite romance novels. 

        



















     


Me with Janette Rallison my favorite author


Thursday, March 7, 2013

ARCHETYPES, NOT STEREOTYPES


As an aspiring author I need a paying job until I hit it big (haha), and lucky for me my job goes right along with what I love to do. I'm promotion coordinator for Geode Press. I get to promote  great books like Zenobia - Birth of a Legend. I've been sharing my notes from a recent writers conference I attended on the Geode Press website but I wanted to post this here on my blog because this class really helped me with my MC Krystal and developing a better archetype for her.

Archetypes, not stereotypes was one of my favorite classes I took and I learned so much. Jennifer Griffith is a fun energetic person. Jennifer says she writes, “cotton candy for the soul.”



This class will help you improve your characters in writing and makes them more believable. 
It's fun to take real people and see where they fit in the archetypes: 
Zenobia is a Crusader. 
I would say Jennifer Griffith is a Spunky Kid. 
Russ Wallace, author of Zenobia - Birth of a Legend is a Chief & a Professor and so is my husband Jason Wallace. 
Read below and you'll understand in a minute what all this means. Have Fun!



ARCHETYPES, NOT STEREOTYPES: 
Nailing down Our Main Characters and Making them Come Alive for the Reader


WHY USE ARCHETYPES?
“Creating believable characters that connect with the audience is probably one of the most difficult aspects of writing an author faces. ARCHETYPES operate beneath the surface of the most original characters to forge a link with the audience based on shared human experience. The archetype tells the reader what the heroine’s or hero’s instincts are, what he feels, what drives him, and how he reaches his goals. The writer conveys these to the audience skillfully. Then the reader settles in to enjoy the old story told anew.” —Cowden, LaFever, Viders

MC (Main Character) + circumstances = Plot

Know your MC. What is their story?

There are many Personality types. You want to pin point what your MC is and make them believable.

You need good Villains as much as you need Heroes and Heroines. 

Keep your MC true to their type.

Core character should have one of these archetypes.

Multi- layer characters: As you go down the list you will find many characters could fit in more than one archetype. For writing purposes your character should have no more than 2 archetypes.

Characters should be evolving. Start out one way and the circumstances change them.



Good books of reference are:

“45 Master Characters: Mythic Models for Creating Original Characters” by Victoria Lynn

“Heroes and Heroines: Sixteen Master Archetypes"

by Tami D. Cowden,Caro LaFever,and Sue Viders



Below are some samples of heroes and heroines. 


HEROES


The CHIEF—a dynamic leader, he has time for nothing but work 

Captain Kirk from Star Trek
The Skipper from Gilligan's Island

John Wayne in every movie he was in but for sure McClintok
  







Mr. Darcy in Pride and Prejudice 








King Arthur in First Knight












The BAD BOY—dangerous to know, he walks on The wild side

Aladdin 








Mr. Wickham in Pride and Prejudice







The BEST FRIEND—sweet and safe, he never lets anyone down

Mr Knightly in Emma






Gilligan in Gilligan's Island 








The CHARMER—a smooth talker, he creates fantasies

Ferris Bueller in Ferris Bueller's day off






Magnum PI







The LOST SOUL—a tormented being, he lives in solitude


 Charlie Brown








Edward in Twilight 












Loki from Thor & The Avengers. Of course he is The Bad Boy too but it's because he's a lost soul. He just need love. :) haha









The PROFESSOR—coolly analytically, he knows every answer

 The Professor on Gilligan's Island. (I think the reason why Gilligan's Island was so funny is because they had every archetype on that show. Seeing them interact made for a good laugh.)







Ben Gates in National Treasure











MacGyver ( He is also a warrior)







 Castle (he can be a charmer too)








The SWASHBUCKLER—Mr. Excitement, he’s an adventurer


 Jack Sparrow in Pirates of  Caribbean 






Flynn Rider in Tangled






Han Solo in Star Wars











The WARRIOR—a noble champion, he acts with honor


 James Bond










Thor












 Superman & Batman (all superheros for that matter)











HEROINES

The BOSS—a real go-getter, she climbs the ladder of success

Lucy in Charlie Brown






                                 

Kate Beckett from Castle 











Queen Elizabeth I












The SEDUCTRESS—an enchantress, she charms to get her way

 Marilyn Monroe 











Ginger in Gilligan's Island





                                                              




Cleopatra 










 Scarlet O'Hara in Gone with the Wind












The SPUNKY KID—gutsy and true, she is loyal to the end

 Mary Ann in Gilligan's Island





                             





Stephanie Plum series












The FREE SPIRIT—an eternal optimist, she dances to unheard tunes

 Emma 







Ariel in Little Mermaid








                                         

The LIBRARIAN—controlled and clever, she holds back

 Hermione Granger  in Harry Potter 




      






Marion in The Music Man (the music man was a classic Bad Boy meets Librarian and changes.)







The WAIF—a distressed damsel, she bends but does not break

 Bella in Twilight







Princess Anne in Roman Holiday










                                    
Cinderella











Snow White







Pretty much you could say most of the Disney Princess's are Damsel's in distress. We love that classic story of a handsome prince saving the day.


The NURTURER—serene and capable, she nourishes the spirit

 Mary Poppins









Elinor Dashwood in Sense and Sensibility









 The CRUSADER—a dedicated fighter, she meets commitments

 Wonder Women











     Katniss Everdeen in Hunger Games






     
















 Share from your favorite books and movies and tell me what archetype they are. It's fun, try it.